Prologue
The images swirl around
almost sickeningly in this corner of the entrance area, a new and equally
solid-seeming tableau presenting itself with every movement of my head.
A woman, hardly more than a girl, with
incredibly long and glossy hair, her immaculately proportioned face distorted
by the way her hair has been knotted around two posts either side of her
head. I think she is being penetrated by
an unnaturally thick cock or dildo, but when I crane my neck to see, she is
gone.
To be replaced by another woman, built
like a classical statue and in a somewhat similar pose, one arm raised with a
hand behind her neck, showing the slick and fleshy lips of a vagina in her
armpit.
A blink and she has become a pair of
girls, their innocent eyes a shocking contrast to the method of their
connection - frozen in mid-thrust with a lewd curve to the submissive's
back. Except the angelic figure
stimulating her companion in this way has no strap to hold her dildo on, as if
the shaft were a part of her. A closer
look and they vanish.
There is the red of blood and the eye
is caught by a woman of maturer aspect, the
difference in age emphasised by her harrowed expression. A whip is on the point of contact with her
back, the hand holding it disappearing into the indistinctness at the edge of
the image. The small amount of her rear
that can be seen is cut beyond repair and streaks and trails lead down her
perfect legs to a pool of blood at her feet.
The next figure is stylishly blurred
and, though naked, has its limbs coyly arranged so that I can't see whether
it's male or female. It is slender and
other-worldly, feminine in outline but with no more than the suggestion of
breasts, obviously adult but with the unformed beauty of a child. Again, to try to see more is to lose it all.
In an unmoving shower of droplets a
mermaid appears, her laughing face about to plunge beneath rippling water, the
flukes of her tail arced above her head, one rosy-tipped white breast showing
through a swelling wave.
Three or four static displays flicker
past too fast to distinguish their features, to be replaced by an antique
leather-bound book that doesn't move when I lean towards it. My hand brushes through the cover, finding it
as insubstantial as any of the ghosts that preceded it, but the flick of my
fingers opens it at the first page, revealing girlishly round handwriting on
worn lined paper. I look closer again,
my fingers closing on nothing at my instinctive effort to bring the large
volume nearer . . . are they blood spots?
And what is this old-fashioned stuff doing in the glitzy advertising for
the place, so self-consciously modern in its abandoned pleasures?
There is a discreet cough behind
me. I turn, keeping the intriguing book
within the edge of my vision, to see a man so perfectly average in every
respect that I knew I'd never remember how he looked. I do recall marvelling at my host's wisdom in
selecting unnoticeable flunkies.
"I'm sorry, sir." he says in a voice
as low and unmemorable as you'd expect.
"Mr Brookes is unavoidably detained.
Is there anything I can offer to occupy you in your wait? I'm afraid Mr Brookes wishes to accompany you
on the tour himself, but I can oblige with anything short of that."
I wave a hand to one side. "Can you tell me about this book? It seems out of place. Is it something I should know about?"
"Better than tell you, sir, I can get
you a printout, a facsimile edition." he replied. "It may well provide you with useful
background. From the early days, when
this was little more than a high-class hotel, our founder required his people
to record how they felt, and we've built up quite a volume of memoirs for those
customers who like such things. As you
know, we were in the forefront of revolutionary changes back then, and I
believe Mr Brookes feels they are even of historical interest."
I nod.
"Definitely something I should see, then."
The man bows. "I will fetch you a copy."
In those ghastly
moments hanging from a frame, fastened by rings that seem permanently part of
me, blood steadily trickling down the perfect skin of my back, I realised that
my new beauty was doing me no good at all.
The stunning looks that I'd been so pleased with were
not impressing this callous man at all.
It was literally hammered home to me how much I was paying for my
change.
I came to in a cubic cell fractionally
bigger than my height in each direction.
Instead of floating on air I was resting on a synthetic mattress
arrangement barely thirty millimetres thick, and my arm had gone to sleep. Luckily it only took a shake and the tingles
flowed through it to make it normal again.
There was no mirror, and my worried checking showed nothing different
about my body to the day before, so I sat back on the only yielding surface,
hugged my legs to my body and contemplated the bare walls and my situation.
I didn't have long before Mr Brookes
arrived. One whole wall shifted aside to
let him in, then closed to become as featureless as
before. For the first time I wondered
where the light was coming from, with every surface white and smooth.
"Welcome to Eden." he said. "The side the visitors never see."
He regarded me thoughtfully, his
finger resting on his lower lip. I
looked back as blankly as I could, trying to appear as though I wasn't hiding
my private parts.
"There's something about you, you
know, something unusual. Westman was right when he called me to see you. 'Come and have a look at this one in person.'
he said, and so I did, which I haven't done for years." He paused and cocked his head. "It's very easy, and cheaper, to pick up a
down-and-out illegal and modify them economically. You're an experiment, a designer slave to
titillate my more jaded clients. Poor
old Westman was certainly smitten and he's seen most
of the beauty of the world pass through his office. He gave away some of his most unique work for
a few hours with you, which is remarkable for him, so there's something . . ."
"What has he done?" I asked as
casually as I could.
He looked pleased in a selfish kind of
way. "Not obvious, is it? It's normally expensive, that kind of
subtlety. To save me explaining twice,
I'll leave it until I present you to my head of staff and go through the
features with him. He'll be here in a
minute."
I dared one more question. "What are you going to do with me?"
He frowned. "Normally I wouldn't answer that
question. You have no right to ask. But as you're a special case and new besides,
I'll say that your first few days will be as a personal servant to the man
you're about to meet, just to show you what is expected. Everything after that depends on what he
thinks of you. Let me tell you a few
rules. From now, you don't speak unless
you're told to. When you're told to do
something, you do it instantly, with no questioning. At this point, everybody is senior to you, so
you don't need to worry whom to obey.
The only exception is if you think you may be permanently damaged - in
that case you may ask to speak to me. Be
warned, though, if I think you were unjustified you will be punished. How you eat and sleep depends on whom you're
with at the time. We make sure that
you're kept in good condition, but we are under no obligation to keep you
comfortable, so if a client's demands mean you have no time for either then we
don't interfere. This room here is your
base, and on the rare occasions you're not required for anything else this is
where you'll be."
At this point the wall slid aside
again to reveal a man built like a wardrobe, if that conveys anything. He wasn't that tall, but he was nearly
rectangular from shoulders to feet, packed out with muscle and a rich brown all
over.
Mr Brookes turned to him at once. "Ah, Smith. Are you ready to begin?"
"When you are, sir." was the
rough-voiced reply, with a deferential incline of the blocky head.
His boss smiled in a genial way. "Over to you, then."
I followed them to a room kitted out a
bit like a gymnasium, with equipment all round the
walls and what looked like a climbing frame in the middle. Mr Brookes sat on a padded bench in one
corner while the new man, Smith, rummaged in a chest. I didn't know what to do with myself so I
stayed near the door with my hands subtly covering my naked pussy.
Smith brought out some metallic
strips. "As this one is special, sir, I
thought perhaps we might revert to one of the old silver band sets instead of
the coloured ones. As long as she's the
only one with them it won't cause any confusion."
"Good idea." Mr Brookes nodded. "It won't hurt to let the patrons see there's
something different about her. It'll
justify the extra charges."
I was disconcerted to find that Smith
ignored me as a person. He wanted me to
stand in a clear space near the middle of the room, but he didn't tell me so,
just took me by the arm and put me there.
I saw no sense in resisting. He
took my right hand and, before I could react, there was a silver cuff on my
wrist. Then, while I was looking at
that, he did the same to the other. They
were so thin I couldn't see an edge to them and formed themselves
so exactly to my skin that I couldn't see how they did it. They bulged when I flexed a muscle and
contracted when I relaxed. And each had
a solid ring sticking out of the inner side.
While he was doing the same to my ankles, I tried to find a catch that
would let me take them off if I ever needed to, but the moment they touched
ends on my body they seemed to become perfectly smooth, without a join. They made me nervous, to be honest, so when
he approached my neck with one I backed away.
At which he slapped my face - without changing expression at all - and
deftly fixed it before I recovered.
"There, she's confirmed as your
property, sir." he said, turning his back on me. "Is there anything I should know about this
one, or shall I start the training at once?"
Mr Brookes got casually to his feet
and wandered over. "She does have one or
two, er, distinctive features. Unique, you might say. If you fix her in the number one position I'd
be interested to investigate and of course you need to know anyway."
Smith pushed me over to the frame and
fastened the rings on my wrists to the top of an open rectangle and my ankles
to the bottom, so that I was stretched in a vertical star shape. Maybe I should have resisted, but there was a
restrained violence to him that told me not to try. I hung my head, horribly conscious that I was
completely open and on show.
"Let's try the most trivial of the
modifications first. Could you hold her
head still for a moment?"
My head was forcibly raised to face Mr
Brookes, iron hands clamping over my ears from behind. He raised an eyebrow at me, which was the
first acknowledgement I'd had since his earlier talk. He laid one finger on my lower lip.
"See what you think of her reaction to
this," he said over my shoulder. Then he
started gently and rhythmically stroking my lip, side to side, side to
side. I wondered whatever he was doing
but, powerless, had to let him continue.
He was staring intently at me when I began to feel a tingling where he
touched, spreading and deepening until I couldn't help twitching, at which he
smiled. Still the stroking went on while
my mouth opened and my chest became tight, my breath shortened until I was
panting and the twinge got so agonising that I had to try to twist away,
however hopeless. Finally, my body broke
out of my control rather than my captors.
My mouth snapped shut and I shuddered all over. My lips clamped on the torturing finger, at
which he pulled away.
The next I knew, I was hanging from my
wristlets with both men regarding me.
"So she
orgasms when you fondle her mouth." Smith said.
"I'll grant you it's unusual, sir, but it's not of much interest to the
clients, surely? I hope some of her
tricks are better than that."
"Actually, I was rather taken with
that," said Mr Brookes, his head on one side.
"But I think you'll like two of the other features better, if I know
you. Have you still got that really fine
little whip?"
"Yes, sir."
He stepped away, then hesitated. "You know I've banned it, though? The slaves were out of action too long. Most of the clients don't like their
companions marked that severely, unless by themselves."
Mr Brookes waved him on. "We'll make an exception in this case. You'll see why."
I was terrified by this exchange. I knew I could do nothing about it, whatever
they wanted to do to me, so I tried desperately not to react when Smith's
footsteps approached from behind, punctuated by an occasional whistle as he
swung something through the air. I set
my jaw, determined to give these men no satisfaction.
I swear Mr Brookes could tell what I
was thinking. He nodded to Smith. "One good hard stroke
somewhere on the back, please."
I thought the few seconds waiting was
agony and it was, compared to the hit, at first. A shrieking whistle, a tap
on the back and . . . nothing.
Then, fully two seconds later, I discovered what agony was. Someone was holding a red-hot knife from
rib-cage to shoulder and grinding it in position so that the pain speared
through me, rising until my vision greyed out and I sagged from my wrists. I screwed up my eyes and gritted my teeth not
to scream or cry. I could feel a warm
stickiness creep down my back, so I knew my flawless skin had been broken
seriously.
Mr Brookes moved out of my sight. "Now watch." he said.