Painted Doll by M. Christian

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EXTRACT FOR
Painted Doll

(M. Christian)


Painted Doll - extract

Watch her walk, Claire thought. Notice her carefully controlled pace. Observe the finely machined stride. Witness her gracefully gliding movements.

Watch her walk, Claire thought. See her stroll along, even and sure, stable and keenly balanced. Across the black ink asphalt of the newly paved Qui Dan Road, up and onto the eternally fractured pavement of the sidewalk, and then among, between, through, and then past the bellowing hawkers, rickety stalls, lazily fanning merchants, and rushing buyers of another corner market.

Watch her walk, Claire thought. Silk dress as ghostly as a half-finished thought, rarer than a honestly cool breeze; satin splashing down like water from an inordinately high fall; couture as elegant as only a kimono could be - and as alien as one moving along Qui Dan Road.

Watch her walk, Claire thought. The puzzle paused, held back by the impact of her, released as she passes. A furrow of brow, a scratching of head, a question: did I see that? Am I dreaming? Is she real?

The woman continued to think about herself, about her walking, a flawless jewel, a perfect image, a carefully crafted ideal.

Watch her walk, Claire thought: Is she real?

Qui Dan Road to the High Street, a stumble of crisp British in a city of fish sauce and MSG. The change didn't alter her steps, modify her movements.

Beautiful? Oh, yes: without doubt, without a question. The splendor of a rose, the loveliness of an orchid. The kimono is flawless, as is the China white of her immaculately applied artificial complexion. As she walks, hearts stop then race. As she walks, heads twist, eyes widen. As she walks, breaths are hissed in, sighed out.

Beautiful? Oh, yes: without doubt, without a question. But she is a knife-edged rose, a razor sharp orchid. Her stride is mechanically perfect, as is her perfectly vertical posture. Their hearts might race, their heads may twist, their eyes certainly widen, their breaths absolutely hiss in and hiss out, but as she steps nearer they instead step back. As she walks, they avert their eyes. As she walks, they pull themselves in.

The woman walking down the High Street feels them watching her, their glances furtive tickles, their quick stares barely felt hooks out of the corners of her always forward facing eyes. Passing a bookseller - tight fans of rough tan paper with lurid Cantonese chops on their glistening plastic covers hung in sagging arcs of cord - a reflection was revealed to her, a caught sight of what they were seeing.

But not what they were thinking. But she knew, nevertheless: each of them lost in illusions and fantasies as carefully crafted as her rouge, as flawlessly presented as the mae migoro and ushiro migoro of her kimono, as immaculately assembled as her performance:

She's a dragon, some might think: the cruelty of a reptile, the flawlessness of a myth. You may approach her, with bravery beyond that of any battlefield, speaking with a stammer and a twitch, and if you were fortunate beyond your worth she'd slow, pause, turn with prudently measured grace, deeming your presence not completely disgusting. With that look, at that glance, would be a flickering forked tongue of cruel invitation, a scintillating promise of peaked breasts topped with fist-tight nipples, a belly steel plate flat and firm, a behind curving out in twin clenches of muscular intensity, thighs sculpted by rigid posture, and between them a scented valley of ruby silk.

But first, a minuscule task. But first, an all but insignificant request: to firmly stand guard for her honor and dignity; to fetch a inestimable gem, an incalculable jewel, or just a unexceptional sticky-sweet pastry; to perform for her a melody of praise, or a stammering litany of desperate worth; or a quick athletic demonstration of physical merit; or become for her an avenging knight, a battle to defend her honor against some heinous offense.

An insignificant request. Accepted without doubt or hesitation, the reward a slow curl at the corner of her cold stone face, a bow of gratitude, and a bright flash of serpentine green eyes. Totally entranced by her, completely captured by her, the dragon would then reveal the metaphorical points of venomous teeth, sinking the illusion of her love deep into the shaft of your encouraged penis by showing you the true face of her cruelty.

The prize was yours but the tasks were actually anything but minuscule, not at all insignificant: firmly stand guard for her honor and dignity - for a year; fetch a inestimable gem, an incalculable jewel, or just a unexceptional sticky-sweet pastry - from a thousand miles away; perform for her a melody of praise, or a stammering litany of desperate worth - perfectly, without the tiniest flaw; a quick athletic demonstration of physical merit - unattainable by even the greatest athlete; or become for her an avenging knight, a battle to defend her honor against some heinous offense - in combat against a killing machine.

And so the dragon passes by, a smile on her cold-blooded face. No one approaches her, no one is willing to come near. And so they live, by letting her just walk by.

She's a doll, some might think: a porcelain figure, an ivory representation. Beneath the silks and satins would be a body as perfect as only a master artisan could create. Breasts both delicate and womanly, nipples as delicate as rosebuds, a belly with an ideal swell, hands with the grace of ten Noh performers, calves a perfect taper, thighs an entrancing form, back a clean surface of alabaster, neck a musical curve, feet delicate and precious, a behind highlighted with sacral dimples, and a female cleft that was a pale oyster and a tiny pink pearl.

Like a doll, she would belong to whoever buys her. Cash, credit, merchandise - the right amount and the woman would instead walk behind, following her owner towards palace or hovel, both with the same unmoving mask of her face.

Palace or hovel, she would walk in the door, standing still and quiet with an item's posture. Maybe she'd look better in the living room window, where the afternoon would bathe her in golden light? Or perhaps she'd be better exhibited in the bedroom, where her kimono could be removed like one from a real woman.

Yes, the bedroom. That was where she would be best displayed. Moving past, it was clear in their eyes, the allure of her perfect submission. A thing. An object. A piece of feminine sculpture. Unable to disagree, unable to refuse, bendable in all kinds of imaginative ways. From behind, cock sliding between her cool ivory cheeks. Face to face, marble breasts for unimpeded kisses, licks, and sucks. On top, her tight thighs spread apart and welcoming upward thrusts. Anything you wanted, anytime you wanted.