I was one of those journalists you don't hear about. You know the
kind, the one whose name always seems to escape being tied to a headline. Definitely not one of those columnists who get to turn
tawdry into sleazy. I'd had a couple of good scores. Remember that big piece a
couple of years ago, that old heartthrob that people almost forgot all about,
until he got linked to that cute little high school jock?
No, I didn't get the scoop, but I proofed it for the guy who did. I was that
kind of journalist.
The only thing I had to my name was the cheap furniture in my cheap
apartment, an ancient laptop, and my car. It wasn't much, it wasn't anything at
all, but it was my life. The problem was that things were tough: my money was
almost gone. I'd had to hock whatever I could and it still wasn't enough. My
landlord was a nice old queen who I knew I could stall for at least another two
months - but my car was another matter. The finance company was getting more
and more nasty: if I didn't pay, they'd come and drive it away.
Can you imagine being in LA without a car? It was a cruddy car, but
it got me around. I was driving it that Thursday afternoon, going from one
paper to another, trying to get someone to give me something on spec -
anything, I needed anything, to keep the repo man away, when the thing
sputtered and died. I managed to pull into an alley off Hollywood Boulevard,
down where those big old houses haven't been torn down to make way for cheap
apartments like mine. The place was really overgrown, tangled weeds and vines
covering the front gates and the tall brick walls all around it, but you could
see that at one time it had been fantastic, all deco and style. Now it was just
dirt, dust and weeds, but once it had been grand.
I noticed that the huge iron gates were ajar. I don't know why I
went in; maybe part of me was curious. It was part of old Hollywood, from the
era of roller disco and platform shoes. I wanted to see what was left.
Inside the gates, the place was big - really big.
There was a pool, empty of water, but full of leaves. There was a big Cadillac
in the drive, once pink and now deep red with rust, sitting on four flat tires.
I was just starting to walk up to the big front door when it opened.
"You're late," he said. "He expected you hours
ago." When you're older, drag just doesn't work. It's just a man's cross
to bear, I guess; put on a wig and you're suddenly five years older. Sometimes
it's pathetic, other times it's just tragic. But he ... or she ... was old,
maybe in his middle fifties, and yet somehow on him it worked. He wasn't Cher
but he could almost have been Bette Davis. He wore curls as red as that rusting
Cadillac, a simple white dress, and just enough make-up so he didn't look like he'd
been hit by an explosion at Max Factor. His incongruous voice was a deep
rumbling bass, with a hint of a German or Hungarian accent and no attempt at
femme tones.
I went in. White shag, pink leather sofas, mirrors everywhere. A
disco ball in the living room. A huge television on one wall, and on the other,
movie posters. Some I'd seen, others I hadn't: Backroom Boys, Disco Dynamite,
Roller Leather, and the like.
"This way," Bette said, leading me toward a brass and
marble staircase winding upstairs.
"Excuse me," I started to say, "but I just came
to-"
Then someone from upstairs called: "Maxine! Maxine! Is that
him? Bring him upstairs this instant." Bette turned, looking down at me
from the first step, and said. "He is waiting for you. This way."
So went up those
stairs, following behind "Maxine", noticing as I walked that the
brass was green and the marble deeply cracked.

He must have been a special hamster, maybe related to some famous
hamster, though I couldn't think of any. He was laying there, on a velvet
pillow, his little feet stiff in the air.
It took a few minutes to get it straightened out. No, I hadn't come
from the vet; no I hadn't come to take the little creature away. I was just in
the neighborhood when my car broke down, and I just wanted to use the phone.
I answered his questions, trying not to stare. I knew him from
somewhere. The moment Bette brought me upstairs, opening the door to the big
master suite and ushering me in with a gravelly "He's here," I
realized that something about him was familiar ... but from where?
He was handsome. There was no denying that. Standing by the huge
round bed surrounded by gold-veined mirrors and floodlights, I was instantly
struck by his beauty. It had faded, certainly; skin that had once been clean
and smooth was now rugged and deeply tanned, a body that had once been strong
and broad-shouldered was now stooped and softer. "Well, what are you doing
here then if you're not going to take little Manuel away?"
His voice was marvelous, deep and rich with a purr that reached down
and tugged at me. It was another piece of the puzzle, another clue to who this
man was, but my mind was still not putting it together.
"I was just in the neighborhood. My car broke down. I just came
to use the phone."
"The phone?" he said, that powerful voice slipping into a
glass-breaking screech that made me wince. "You came into MY house,
disturbed me, over the PHONE?" Without waiting for my response, he turned
and bellowed to Maxine, standing in the doorway. "Show this gentleman
out."
Then it hit me. As Maxine reached for my arm, I turned and blurted
it straight out, without a clue in the world where it was going to lead me,
what was going to become of it: "You're Norman Desmond. You used to be in
porno. You used to be big."
"I AM big," he said, his voice
ringing with injured pride, thundering with a vigor that defied the stooped
shoulders. "It's PORNO that got small."