Chapter One
Sophie and the
Whipping Stool
'Your Masters find your naked breasts very
beautiful, Sophia.'
Sophie gasped as she wiped water from her eyes. Yes,
the note was there surely enough, stuck on the tiled wall of the shower cubicle,
with the words hand-written in green-ink on a scrap of yellow paper. The note slid
down the wet surface, swirled in the suds at her feet, and then wedged in the
waste outlet. She stooped to pick it up, but the sodden paper fell apart in her
hands.
Sophie stepped hastily from the shower. She ran, nude
and dripping wet to her bedroom. Drawing on a long towelling robe, she sat
before the dressing table and gazed at her distraught face framed with her
short bob of slick blonde hair. An involuntary yelp escaped her lips as she saw
yet another note attached to the mirror. It was written in green ink in the
same curious scrawl. This message read:
"Unlike
you, dearest Sophia, who may at present cover your nudity, my Masters do not
permit me to clothe myself."
Beneath the note, propped against the mirror, was a
large A4 manila envelope, bulky, a small package in fact, addressed in bold
green letters to 'SOPHIA WINTER'.
Thomas, Sophie's large, neutered tom-cat, sat hunched
on the dressing table beside the envelope, curled into a mound of white and
fawn mottled fur. The cat watched with unflinching yellow eyes, his whiskers
twitching as Sophie reached for the envelope, but then he suddenly snarled, his
back arched, his hair stood end, and he lashed out with unsheathed claws, leaving
scrapes of red on the shower-fresh flesh of her bare arm.
"Thomas!" she exclaimed in shock, hurriedly
withdrawing her hand and wiping tiny emerging droplets of blood from her arm.
The six year old cat had been with Sophie since he was
a playful and adorable kitten. Nowadays, minus his tom-bits, he usually
remained impassive and haughtily accepted Sophie's strokes and cuddles as his
due. He had never, ever, attacked her before. What was happening?
Sophie's hands trembled as she gingerly pushed Thomas
aside and reached for the manila envelope again. Peering inside the package she
saw some printed pages and a small bundle loosely wrapped in white tissue
paper. She fished out the soft package and gasped in amazement as a long skein
of luxuriant silky golden blonde hair tied at one end with a thin red ribbon
draped over the palm of her hand. It was almost the same colour and texture as
Sophie's own blonde hair.
Curious now, Sophie drew out the five sheets of paper.
She saw they were covered in double-spaced, typed text. The print on the pages
had not been produced with a modern word processor and laser printer; the
letters were uneven along the lines and slightly indented into the reverse side
of the paper under her fingers ... the text was probably typed on a very old typewriter.
Instinctively looking at the last page, Sophie saw a
signature scrawled in green ink: 'Mary Constance'. Beneath it, in the same
green ink, the author had penned: "This is both my warning and my gift to you,
dearest Sophia."
Sophie felt weak. Hastily and yet almost fearfully,
she turned her attention to the first of the typed pages. She swiftly scanned
the opening lines:
Buttocks upraised and head low
to the dust, I crawled forward as quickly as I could, my teeth clenched upon
the thong of the steward's right boot as he strode across the courtyard. I was
naked.'
And between the double-spacing of these opening lines,
someone had written in green ink, 'They usually keep us naked, Sophia. You will
quickly grow accustomed to it.'
Close to panic and angry too, Sophie looked up from
the pages in her hand. Heart thumping, she reached for the torn envelope and
studied it, noting the strange, foreign postage stamp. The postmark clearly
bore the date: 15 March ... next year! That was almost three months hence. How
was that possible?
Sophie was still considering this when the cat
suddenly let out another ear-piercing screech but this time in pain, it seemed,
rather than anger.
"Thomas!" Sophie exclaimed, reaching to stroke her
pet. However, the cat hissed fiercely, arched his back
and stood on straightened legs atop the dresser until she withdrew her hand. She
looked at the animal in dismay, saying, "It's quite enough that one of us has
nerves that are shot to pieces."
Thomas the cat opened his mouth widely, displaying
needle-sharp white teeth in an anguished, silent roar that emerged as a mere, long
hiss of air.
Sophie watched the cat with some concern for a minute
or so. Only when he settled did she return her attention to the envelope. She
checked the postmark again. Yes, without a doubt, it bore a franked postmark
with a date almost three months hence. Sophie's heart began to thump. She took
the package and lay upon the bed, arranging her robe decorously over her thighs
before beginning to read the manuscript again.
"Enforced nudity was the least
of my concerns on that fateful day, Sophia. My heart thumped wildly as I stole
a glance through my long, blonde tresses: the whipping saddle had been set up
in the courtyard. The sight of the Kislar Aga, mighty Chief Black Eunuch,
filled me with dread. This hugely grotesque eunuch waited with a group of
women, each of whom were clad in black burqas. Worse still, I saw the Kadin
Salih there too, a tall, elegant woman in a long shimmering gown of midnight
blue silk."
There was another hand-written note, this time
scrawled in the margin: "Fear Lady Salih, Sophia!' It was another aside by the
mysterious author, spoken directly to Sophie, as if the story had been written
specifically for her. She looked at the signature on the last page once more: 'Mary
Constance'. Shaking her head in bewilderment, Sophie read on:
"You must hurry," the steward
hissed as he lengthened his stride, causing the silk of his baggy white
pantaloons to billow against my shoulders in the warm breeze. The leather thong
strain strained against my teeth, and I scurried forward on hands and knees.
Salih was foremost of the four
kadins, the Sultan's honoured imperial concubines. She is the mother of Prince Farid.
Kadin Salih is widely considered to be the hidden force behind the throne; the
beautiful Salih, once a Rumanian slave, first enchanted and then ruled the King
from the royal bed. Wily. Ruthless. Shrewd and skilled in court politics. Salih
is a considerable woman and she frightens me.
I, Mary Constance, thought
myself too unimportant to concern the imperious and powerful kadin. And the
Kislar Aga, too? Master of the harem, sponsor of Kadin Salih, all-powerful
adviser to the King - the whipping of a miserable white slave seemed of little
consequence to such a mighty figure. I was abruptly brought to a halt, my
forehead almost touching one of the Kislar Aga's buff-coloured, calf-skin
boots.
"Kneel up. Widen your knees,
raise your chin and straighten your back," Jiffa
ordered, and I felt his hand upon my shoulders, posing me, carefully arranging
my long blond hair.
There was yet another note, written between the lines:
'This is a beautiful, elegant position and it renders you exquisitely
vulnerable - I urge you to practice it, Sophia.'
Sophie snorted contemptuously. Yet she momentarily,
involuntarily, considered the scenario, imagining herself kneeling, naked, her
thighs widely spread, helpless, open and under discipline. It caused a
disturbingly warm feeling in the pit of her belly and she hastily pushed the
thoughts aside.
I knelt, trembling, before the
Chief Black Eunuch. He was resplendent in his long, wide-sleeved robe of
crimson brocade; I was nude, of course, and the mound of my sex was smooth and
devoid of hair, well revealing the high slit there. I could not quite remember
how it felt to be clothed, so long had I been kept naked. (To be naked in the
presence of clothed superiors seems natural to me now, as it will for you,
Sophia.) My hair hung forward over my shoulder, virtually covering the
honey-coloured halo on my right breast but allowing the long, pink nipple to
peak through. It was not politic to change my position and, anyway, modesty was not permitted me.
I glanced up fearfully at the
clothed female figures that surrounded me, seeing the implacable eyes that
peered from the narrow slits of their yashmaks. Those brown eyes burned in
fierce anticipation, and there was neither pity nor mercy there.
In all my time at the palace I
had not seen this functional courtyard. I dared to look around. Beside the
stables across the yard, a man was putting a large prancing chestnut stallion
to a whinnying white mare that was tethered helplessly within a wooden frame. The
stallion's massively tumescent pink penis hung hugely beneath his belly. I
turned away; such sights had been hidden from young ladies in genteel and leafy
Buckinghamshire, where I had spent most of my life until that time. How
different things had become. I was now a naked slave and under discipline, with
no more rights than the white mare who waited helplessly to serve the prancing
stallion. I found myself stealing another look at the scene. The tethered mare
was shamelessly flashing her clitoris at the advancing stallion, enticing him
with her helplessness.
Beyond the stables, I saw a
large treadmill that was turned laboriously by three sturdy young,
black-skinned women, each of them naked, toiling beneath the whip of a
merciless overseer. And to the right, a very fair skinned woman flailed grain
with a long chain that was affixed to manacles about her wrists; the woman was
completely bald, and the dome of her head was tanned by the sun.
Barely six inches away from my
right knee, I looked down at a wide circular pit, sunken in the courtyard, some
eight or nine feet deep and, perhaps, forty feet across, its sides of smooth
stone. Six long and thick wooden shafts radiated from a hub at the centre of
the pit, and a single donkey, chained to a shaft, strained to turn the huge
wheel.
"Faster!" the pit overseer
roared.
I felt instant pity for the poor
beast as the man cruelly lashed its back with a long broad-bladed whip. The
animal snorted in pain and strained forward.
"We shall see her punished,"
Salih told the Chief Eunuch with a wave of long, elegant fingers.
I had expected this, of course. It
was inevitable, for such was the cruel regime of the palace. When instructed, I
rose to my feet, taking care to move elegantly. I stood to attention before the
polished whipping stool, head held high, staring straight ahead as if oblivious
of the women who looked on. I was no stranger to this terrible contraption, and
schooled in the ritual. My heart pounded and, I suppose, the swift rise and
fall of my breasts betrayed my fear.
"Forward."
Sophie turned the page and saw that a piece of ruled
paper had been inserted between the typed sheets of the manuscript It was
written in the form of a personal letter, the hand-writing almost childish, and
bore the salutation, 'Dearest Sophia, from your sister in bondage.'
"Sister in bondage indeed!" Sophie scoffed, examining
the ruled writing paper and noting its curiously rough
and crude texture. Then, with some difficulty as she deciphered the sloping
hand-writing, she haltingly read the short note:
'I
am constrained to adequately describe essential procedures for your education. You
must be assiduous in your lessons, dearest slave, I beg you, for your own
salvation and for mine, too. It is my duty to train and properly prepare you
for your new life and I dare not fail in my task. You will have to learn a very
particular choreography for occasions when you are formally punished, my dear
Sophia. As perfect as you may become, you cannot escape the rod and lash. So
you should practise now to strive for a satisfactory presentation. Arrangements
have been made to supply you with a suitable whipping saddle to aid your
training. Pray heeded my lessons, dear novice slave.'
Sophie shook her head in disbelief and rising anger. Novice
slave? Someone was having a good laugh at her expense. Was she supposed to take
this nonsense seriously? She contemptuously threw the papers to the bed, although
taking care not to dissemble their order. Rising from the bed, aware of a long,
lissom leg escaping from her gown, she hurried to the kitchen.
Hair spilled over her face and she bit her lower lip
as she filled the electric kettle under the kitchen tap. Only now did it occur
to her that the language used by Mary Constance was almost archaic. She
half-expected to find another note in the kitchen. Sophie looked around, taking
in the modern appliances, the fridge, the automatic washing machine, all of the surfaces where a note may have been placed, but
there was nothing there.
'Silly,' she said to herself, putting a spoonful of
coffee granules into a mug
As Sophie poured boiling water into the mug, the door
bell chimed and in her startled, nervous state, it almost caused her to drop
the kettle. She placed her hand over her thumping heart and smiled weakly,
saying to herself, "For God's sake, get a grip."
Sophie steadied herself and then went to answer the
door. A delivery-man stood in the hall, thrusting a clip-board and pencil
towards her as she pulled her peach silk gown more tightly round her body and
looked at him quizzically.
"Sign here, Miss."
Beside him, there stood a tall package, perhaps 18
inches square and as high as the man's waist, wrapped in brown paper and tied
with sisal string. "It's for me?"
"You are Miss Winter?"
"Yes."
"It's for you then."
"But, I haven't-"
"Please, Miss, just sign the docket. I've got a lot of
parcels to deliver today."
Raising her eyebrows, Sophie accepted the pencil and
signed the receipt. She thrust the clipboard back to the man, who nodded and
turned to hurry away down the corridor, leaving the package outside her door. She
tentatively tested its weight. It was too heavy to easily carry. So she dragged
it into the hall of her apartment.
Quickly slamming the door shut and engaging the bolt,
she ripped at the packaging. The brown paper tore away easily, and a curiously-shaped
contraption that was revealed beneath her frenzied hands. She stood back,
shocked, eying the strange item of furniture. It was rather higher than a
standard a bar-stool, and it had a large, shaped leather saddle fixed atop four
stout, outward-sloping legs, each of which had a short, shaped wooden
protrusion some 12 inches from the floor.
Sophie frowned and tentatively pushed the contraption,
testing its stability, but the design of the sturdy stool ensured that it
remained upright. It seemed to be a carefully constructed piece, made of timber
and leather, fashioned by a craftsman. The wood was polished and beautifully
turned and jointed; the sensuously shaped leather saddle, oiled and gleaming
despite its apparent antiquity, was finely tooled with intricate patterns
embossed on its surface.
As she examined the piece, running her fingers along
the slick leather, the letter box gave a metallic click and a single envelope
dropped to the mat. She immediately went to the door and opened it. There was
no-one to be seen in the corridor outside, either to the right or left. This
seemed scarcely credible, given her speed in opening the door. It seemed
impossible that a person could have cleared the corridor so swiftly. She
frowned, staring suspiciously at the adjacent doors, but they were firmly shut.
A frisson of cold panic rand down her spine as she considered the possibility
of a predator lurking in a neighbouring apartment, and she hastily slammed the
door shut and locked it securely.
She examined the envelope and saw that it was quaintly
sealed with red wax. Her heart skipped a beat when she saw the green ink and
spidery writing: 'Sophia Winter'.
Sophie tore the envelope open to find two sheets of
crude writing paper. She read the letter:
'You
have now taken delivery of your whipping stool, dearest Sophia. Do you not find
it incomparably beautiful? Imagine, the leather saddle has been polished by the
soft flesh of countless punished slaves, including mine, and oiled with our
deliciously anguished perspiration.
This
will be anathema to you, I am quite sure, and you will try to resist with every
fibre of your being. However, I beseech you, sweet slave, to soon strip
yourself naked and commence your lessons in earnest. There is so little time to
lose before your appointed time.
To
use the stool correctly and with due ceremony, you must firstly raise your arms
high and straight above your head as you step smartly forward and stand behind
the saddle. Then you must bend forward gracefully to rest your belly upon the
contoured leather. Bed your naked flesh snugly against the saddle and ensure
that your breasts depend clear of the forward edge. Take care to position
yourself well, dearest Sophia, for your own sake, to withstand the beating
without additional buffeting.
Positioned
in this way, you must reach down and forward to grip the bars at the side of
the stool. This will present your upturned buttocks most delightfully. You must
then learn to relax your tender exposed flesh, ready for the first exquisite
stripe. Repeat this lesson often until you are proficient in your beauty and
submission.
Ever
your slave sister,
Mary
Constance '
Sophie laid the pages aside on the hall table and she again
stroked the leather saddle, this time with a new, almost hesitant curiosity. Her
fingers trailed gently over the smooth, almost silk-like surface. She saw that
there was a small hand wheel under the saddle, presumably to adjust the
terrible implement. 'A whipping stool?' she mused. 'What kind of people
manufactured such a beautiful object to inflict pain on others?'
She found herself imagining a naked woman lying atop
the slick brown saddle and awaiting punishment. Sophia drew her hand back quickly,
as if the leather was hot to her touch. Then, aware of the frisson of strange
excitement tingling at her belly, she stepped behind the stool, feeling the
roll of the padded leather against her waist through the thick material of her
dressing gown. She half-bent forward, as if to lay her belly upon the saddle,
looking down to see the short bars with fashioned grips for her hands,
protruding from the front legs, and similar protrusions at the back, presumably
footrests for small feet. Stout leather straps, stitched with buckles, were
affixed at various points, presumably to confine a victim to the stool: one
pair near the front handgrips, and one on both of the rear
legs near the foot-rests, and more at what would be knee-height. Quickly,
angrily, she pushed herself upright and stepped back.
The very sight of the implement, and the strange
feelings it aroused in her, horrified and frightened Sophie. Without pause for
rational thought, she rushed back to the bedroom. The typed pages of the
strange manuscript still lay dishevelled and spread upon the bed. Sophie picked
up the loose sheets of paper and tidied them before lying on the bed again.
However, before she could begin reading, the cell
phone on Sophie's bedside table rang. The electronic burbling startled her; the
tune was vaguely familiar, but it wasn't her usual ring tone. The insistent and
repetitive electronic tones jangled against her already taut nerves. She
snatched up the receiver and rose from the bed.
Sophie heard Caroline, her best friend from childhood,
mumbling an apology at the other end of the phone: "Sorry to ring so early,
darling..."
"It's okay, Caroline," Sophie said, "but it will have
to be quick. I'm already late for work ... some weird things have delayed me
this morning. "
"You are coming
to the funeral tomorrow, Sophie?" Caroline asked anxiously. "Christ knows I
need your support. I only flew back into the country today."
Caroline's father, Sam Clark, a retired Chief Constable and well-known worthy of his shire, had died
unexpectedly the previous week. He was to be buried with some pomp, and Caroline,
Sam's sole surviving family member, was required to play the dutiful hostess
and grieving daughter. Sophie knew that Caroline had cut short a sojourn abroad
to stage the funeral.
"Yes, of course, I promised I would," Sophie said,
keeping the cell phone to her ear and wandering over to the dressing table to
pick up the recently-received skein of hair. She then walked into the living
room, feeling the silky hair in her fingers. The cat let out another wild
shriek.
"My God, that was Thomas again," Sophie explained,
brushing a distraught hand through her short blonde hair. "He's been making an
unearthly row this morning, as if he's in agony. It's terrible. I'll have to
take him to a vet, I suppose. Look, Caroline, it's been a really
horrid day so far. I'll tell you all about it later."
After finishing the call, she dropped both the cell
phone and the skein of hair into her large leather shoulder bag. Then she
hurriedly dressed for work.