The introduction to "Rebecca's Song" started with an ethereal lead guitar riff accompanied within seconds by two kettledrums beating a rhythm that first mimicked the trotting clip clop then the galloping clatter of horse hooves. It signaled to the audience that the centerpiece and finale of Lola's concert―the mega hit that propelled her to international superstar status―was finally beginning. Waiting backstage, Lola was slipping into a semi-hypnotic state as she anticipated her entrance and the approaching opportunity to once again indulge her pony girl fantasy before thousands of fans without them knowing that's what she was doing.

A single spotlight followed Lola as she bounded on stage in her barely-there costume, which consisted of a leather body harness with strategically placed straps, a headpiece that accentuated her hair coiffed to imitate a horse's mane, faux hoof leather gloves and boots, and a long flowing tail protruding from her rear end. The crowd roared as she belted out the opening lines:

 

"She is the mistress of my reins,

And she revels in causing me pain.

She has left her mark upon my soul

Just by introducing me to my role."

 

Six dancers similarly dressed joined Lola on stage and danced in unison spread out behind her as she strutted back and forth and continued to sing the song's dark and suggestive lyrics to her screaming fans. Very soon another dancer appeared in a costume that was a stylized replica of an English riding outfit, complete with tall boots and a riding crop. She and Lola began dancing together in a strange and ominous duet that was mesmerizing.

As Lola continued to sing, the woman began chasing her menacingly swishing the riding crop as she did so, Lola occasionally turning to entice her coquettishly. When the blows began to land Lola became increasingly docile, until finally standing still while her pursuer attached a sulky to her harness. Lola's dancing partner climbed aboard the sulky, took the reins and cracked her whip, prompting Lola to pull the buggy offstage while reprising the song's opening lines and triggering a cacophony of hoots, whistles and shouts from the spectators. As the lights dimmed the music built to a crescendo that ended the show.

The applause and cheers continued long afterward even as the auditorium slowly emptied. Meanwhile Lola unwound in her dressing room, savoring the magic that the fantasy held for her as long as possible, reluctant to take off her pony gear. It never failed to amuse her that everyone accepted her explanation that the ponies and everything else in the song and routine were metaphors for a tortured love affair. No one had even thought to ask who Rebecca was. What would they think if they found out that Rebecca was a character in her favorite pony girl book, the content of which had significantly influenced Lola's sexuality?

Eventually she forced herself to remove the gloves and shoes. Next the headdress came off and then the harness. Lola stood in front of the full-length mirror and stared at her reflection, standing naked save for the tail attached to the butt plug in her rectum, her long hair disheveled and wild looking. Delighted with the untamed creature reflected in the mirror, she placed a hand between her legs and began pleasuring herself. Lola tenderly rubbed her clitoris and as it became inflamed, she slapped it hard several times then squeezed it tightly between her fingers. While she continued abusing her nub she slowly inserted two then three fingers into her pussy and commenced fucking herself vigorously, always watching the naked pony girl looking back at her wantonly. She squeezed hard every time the pleasure threatened to bring on a climax, finally stopping the vaginal penetration altogether and concentrating on slapping and pinching her clitoris ever harder until ultimately a deliciously raunchy orgasm emerged from the pain.